![]() ![]() The corporeal image: Film, ethnography, and the senses, Princeton, N.J: Princeton University Press. Video poetics: Technology, aesthetics and politics. See also Eleftheriotis, 1995 Eleftheriotis, D. ) distinction between “the symbolic,” which entails signification, and “the semiotic,” which entails bodily drives and desires 36–37).Ĩ. In French theory in America, Edited by: Lotringer, S. Discourse and figure closely parallel Kristeva's ( 2001 Kristeva, J. , ) note, the “the ‘affective turn’ in communication studies is more properly described as (an) ‘about face’” (p. Communication and Critical/Cultural Studies, 6: 215– 219. Carbondale: Southern Illinois University Press. In The terministic screen: Rhetorical perspectives on film, Edited by: Blakesley, D. “ Introduction: The rhetoric of film and film studies”. For an overview of this scholarship, see Blakesley ( 2003 Blakesley, D. Thus we matter and mean through processes and logics of sense-making that owe as much to our carnal existence as they do to our conscious thought” (p. , ), “is a radically material condition of human being that necessarily entails both the body and consciousness, objectivity and subjectivity, in an irreducible ensemble. Carnal thoughts: Embodiment and moving image culture, Berkeley: University of California Press. “mbodiment,” explains Sobchack ( 2004 Sobchack, V. “About the Story,” V for Vendetta at, (accessed May 11, 2009).Ĥ. Politics behind ‘V for Vendetta.’ The Pendulum. V for Vendetta: ‘Matrix’ makers’ latest blows up fascism in grand fashion. Can a popcorn movie also be political? This one can. Retrieved from ), Corliss ( 2006Ĭorliss, R. Retrieved from ), Chocano ( 2006Ĭhocano, C. Bombs trump big ideas in potent “Vendetta”. ![]() ), “signifies outside of its own context, serving as a caution to the actual governments of post-9/11 America and Britain that … he surrender of civil liberties in the interests of national security is an ill-founded enterprise” (p. Jefferson, N.C : McFarland & Company, Inc., Publishers. McKeon New York : Semiotext(e)/Foreign Agents Series. ![]() What it incites to do: the metamorphoses of this potential energy into other things-other texts, but also … political actions” (Lyotard, 1984 What it does: the charge of affect it contains and transmits. A different, though equally instructive translation of this passage appears in Driftworks: “What is important in a text is not what it means, but what it does and incites to do. In Profiles in contemporary social theory, Edited by: Elliot, A. ![]()
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